The Indigo Girls, R.E.M., Sinéad O'Connor, Suzanne Vega, Lyle Lovett, Michael Penn, Enya, and Bruce Hornsby and the Range. Many new acts established during the period had a strong folk/acoustic influence, e.g. In addition, the late 1980s saw a renewed interest in folk and acoustic music in general (accompanied by a wave of nostalgia for the music of the 1960s, which also had a significant folk/acoustic movement). The phenomenon of rock stars re-creating their hits in an acoustic manner was thus well established by the early 1980s though the word "unplugged" had not yet been applied to the concept.
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The 1982 live album of these performances and the US version of The Secret Policeman's Other Ball movie (which incorporated a "flashback" of Townshend's 1979 performances) both became very successful and were widely seen and heard in the USA. Two years later in September 1981 Lewis produced a sequel benefit show The Secret Policeman's Other Ball that featured similar performances by other rock performers including Sting, Phil Collins and Bob Geldof. The performances were widely seen and heard on the 1980 live album and the UK-only movie of the benefit and inspired other rock performers to emulate Townshend.
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The first of these was the June 1979 appearances by Pete Townshend at The Secret Policeman's Ball, a series of benefit shows in London for human rights organization Amnesty International at which the usually electric guitar-wielding Townshend was persuaded by benefit producer Martin Lewis to perform his hits " Pinball Wizard" and " Won't Get Fooled Again" on acoustic guitar. The catalyst was a series of highly publicized "unplugged" performances that occurred in the late 1970s and early 1980s. The direct inspiration for the series came in the decade immediately preceding the creation of the MTV program. The casual "in-the-round" sequence in Elvis Presley's 1968 Comeback Special, and The Beatles' informal studio jams documented in the 1970 film Let It Be were both precursors of the "Unplugged" concept, though they were neither conceived nor promoted as such at the time they occurred. The underlying concept behind the Unplugged series has been attributed to the popularity among musicians of a variety of informal musical performances on stage, film, television and record in earlier decades.
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Many of these performances were subsequently released as albums, often featuring the title Unplugged. The show featured musicians performing unplugged versions of their electric repertoire. The term Unplugged has come to refer to music that would usually be played on amplified instruments (such as an electric guitar or synthesizer) but is rendered instead on instruments that are not electronically amplified, for example acoustic guitar or traditional piano, although a microphone is still used.